Category Archives: Books
A NEW REVIEW
. . . of my book Fourteen Western Stories by Jan McClintock on her book blog We Need More Shelves:
The description from Amazon.com:
“Fourteen Western tales, by turns boisterous, bawdy, shocking, sentimental. They’re not for kids—there’s a fair amount of adult content here—but a treat for anyone else who likes old-fashioned stories with new twists and turns, written by someone who loves the West, past and present.”
That’s an excellent description of this little treasure of a collection. I found each of the stories well-written and interesting. The author did include some stereotypical characters, but he’s a screenwriter, after all, and fond of pulp fiction (wink). He added a new slant to some stories to keep things hopping. Definitely not for the squeamish or prudes.
Recommended for short-story lovers, those who like westerns, and anyone who falls in between.
DEVIL IN A BLUE DRESS
The idea of sending a black private eye down the mean streets of Raymond Chandler’s Los Angeles might have ended up as a sort of literary stunt, a clever pastiche, but Walter Mosley’s Devil In a Blue Dress is hardly a stunt or a pastiche. It’s a well-crafted, hard-hitting noir thriller, more than worthy of the Chandler tradition.
The protagonist, Easy Rawlins, is a complex character, estranged from the world he moves in not just by an eccentric moral code that harks back to Philip Marlowe’s, but also by his race, which creates moral dilemmas and peculiar forms of jeopardy every time he interacts with white people. There’s no social pleading here — just the facts, ma’am, just the facts.
A finely-tuned plot, marvelous evocations of Los Angeles in 1948 and intriguing ethical ruminations make Devil In a Blue Dress a classic contribution to the hard-boiled detective genre at its best.
WELCOME TO HARD TIMES
E. L. Doctorow’s first novel, Welcome To Hard Times, published in 1960, was a Western. It was, to be sure, a “literary Western”. Doctorow peppered his prose with passages of fancy-pants writin’ and eccentric punctuation, just to make sure readers knew he wasn’t toiling away in the trenches of mere genre. The villain of the piece was often called only “The Bad Man From Bodie”, capitalized in just that way, associated with a band of “Bad Men” — making it clear that he and they were not just men but mythological embodiments of evil.
Still, the tale starts well, setting up the traditional Western themes of shame, honor and redemption in stark and sometimes powerful ways. As the narrative unfolds, Doctorow loosens up a bit and indulges more and more often in deadpan Western humor and frankly entertaining yarn-spinning. He doesn’t exaggerate his fancy-pants style to the lunatic extremes of Cormac McCarthy’s convoluted gobbledygook, and frequently employs spare and direct language that’s enlivened by quirky insights and supple turns of phrase.
The genesis of the book explains a lot about it. Before he devoted himself to fiction-writing, Doctorow worked for a while as a reader for a motion picture company, in the course of which he plowed his way through many Western scripts. In Welcome To Hard Times, he set out to write a parody Western, but got caught up in his own story and in the tradition and switched to a different strategy — reclaiming the Western as a literary genre.
It was a pompous and patronizing ambition. Elmore Leonard, a much greater writer than Doctorow, was still writing Westerns when Doctorow was writing Welcome To Hard Times. The Western didn’t need to be reclaimed for literature as much as it needed to be recognized as literature.
The book’s parodic roots account for the humor of the work, Doctorow’s familiarity with the genre accounts for its mooring in the traditions of the Western, while the author’s sense of being above the genre accounts for the occasional pretentiousness of the style.
Sadly, Doctorow veers disastrously into “literature” at the book’s conclusion, into an apocalyptic and nihilistic climax that wrenches the tale entirely out of the Western genre, mocking the very idea of redemption. What might have been a respectable contribution to Western fiction becomes instead a fairly meaningless and churlish comment on the tradition. It’s the literary equivalent of shooting someone in the back.
ELMORE LEONARD ON WRITING WESTERNS
SPANISH IS THE LOVING TONGUE
One of my favorite Dylan performances — that’s him on piano, too . . .
I wrote a short story inspired by this song:
Available in this collection — Fourteen Western Stories.
THE WRITER’S LIFE
BOOK NEWS
The paperback edition of my book Fourteen Western Stories is not selling very well, so I’ve raised the price to $10.99, because I’d rather have it not sell at a relatively high price than not sell at a bargain price. Amazon, however, is discounting the new price by 20%, to $8.79, which is only $1.80 more than the old price. And so it goes.
The Kindle edition of the book continues to sell well at $2.99. You can read it on a Kindle, of course, but also on Amazon’s free Kindle reading apps, which work on almost all computers and portable devices.
Check it out.
Click on the image above to enlarge.
FICTIONAL WORLDS
When I was writing my Western stories I felt fit and optimistic — all those big skies and wide open spaces, all that moving around on horseback, cheered me up, even when the stories were grim. Now, writing about the dark underbelly of Los Angeles in 1954, I feel shabby and paranoid, unhealthy and in constant need of a drink. I hope this one will go quickly, before I need rehab.
Click on the image to enlarge.
A PULP MAGAZINE COVER FOR TODAY
PAPA’S 60TH BIRTHDAY PARTY
A WESTERN STORY
A young cowboy on the run and a young woman terribly wronged, bent on a mission of revenge, find that they need each other for something more than vengeance — one of the tales in Fourteen Western Stories, available on Amazon for the Kindle and for free Kindle reading apps, which work on almost all computers and portable devices. Free to borrow for Kindle owners enrolled in Amazon Prime.
Also available in a thrilling paperback edition:
Click on the images to enlarge.
PATRICIA HIGHSMITH
A WESTERN STORY
A14 year-old girl offers to lead a detail of troopers to the hide-out of a terrifying Apache war chief, but only if she’s given full command of the expedition — one of the tales in Fourteen Western Stories, available on Amazon for the Kindle and for free Kindle reading apps, which work on almost all computers and portable devices. Free to borrow for Kindle owners enrolled in Amazon Prime.
Also available in an elegant paperback edition:
Click on the images to enlarge.
BOOKS FROM ICELAND!
I’d never before gotten any books from Iceland but today a package arrived from Reykjavik containing a set of The Complete Sagas Of Icelanders — the first more or less complete English translation of all the Icelandic Sagas along with forty-nine related short stories.
There are five volumes in this set, bound in leather dark-blue like the sea, stamped in dragon-hoarded gold and smythe-sewn.
I only ordered them about a week ago, which just goes to show that those longships can still make time.
Click on the images to enlarge.