PARIS: DOUBLE VISION — LE POLIDOR

There has been a restaurant at the site of the Polidor since 1845, though it did not get its present name until the beginning of the last century.  Its decor has not changed since then, and it still serves hearty 19th-Century food.

Diners sit mostly at long communal tables, and used to be able to store private wine bottles in numbered cabinet drawers.  It has always been and remains popular with students from the nearby Sorbonne, and with struggling artists.  James Joyce was an habitué — Hemingway and Kerouac dined there.  It is a place one goes to commune with literary ghosts, and with the Paris of an earlier time.  I can't remember what I ate when I went there, but it's the sort of place where you would want to try the cassoulet.

My friend Coralie visited Le Polidor recently, and took wonderful photographs of it.  She arrived after the lunch hours and before the dinner hours — the place was deserted but charged with expectancy.  It reminded her of visiting a theater before the arrival of the audience.  Here is her report about it:

Le Polidor — Dans Sa Loge


Il n'est pas encore 19 heures, lorsque je remonte la rue Monsieur Le
Prince.  Je me trouve arrivée devant Le Polidor sans l'avoir remarqué
car l'enseigne indique une ancienne crèmerie.  Je pousse la porte du
bistrot.  La salle est vide, pleine d'absence.  Mais en regardant de
plus près, je réalise que je me trouve dans l'intimité de sa loge.  Je
m'assieds sans bruit aucun, me fondant dans le décor.

Je ne suis pas
sensée être là, et pourtant chaque objet, les tables dressées où
tiennent quelques dizaines de couverts, dès lors que mon regard
s'approche, me susurrent à voix basse leur texte respectif.  Il me
semble saisir des fragments de conversation traversées par des rires
enthousiastes, tandis que les mets, petites oeuvres picturales
s'apprêtent à vivre leur éphémérité.  La chaleur humaine m'enveloppe
dans un bain de lumière, — de ce côté de la rampe.  Fouillant du regard
l'espace environnant, je pénètre le sombre du fond de la salle.  Une
pièce massive de bois tachée de mosaïques me rappelle la cuirasse de
l'armure des samouraï.

M'enfonçant dans l'effet magique du
clair-obscur, je découvre un coffre plein de trésors, avec sa myriade
de petites pièces d'or incrustées.  Délicatement je fais glisser un
petit tiroir afin de ne pas déranger le script. Jacques Lacan, le
célèbre psychanalyste décrivait cette métamorphose… lorsque l'objet
devient une chose.  Je respire à peine, afin que du fond des cuisines,
ma présence ne soit pas soupçonnée.  Soudainement, je suis frappée
d'enchantement.

Dans chaque tiroir loge un petit monde qui fait fi du
temps. L'âme de son hôte y séjourne toujours.  Je suis comblée par
cette découverte : Nowhere… Now Here. Maintenant je dois vite quitter
ce petit théâtre du monde, et laisser la représentation se donner.



Me dirigeant vers la sortie du Polidor, je sers précieusement tout
contre moi, la richesse du trésor qui désormais, m'anime.  Plus que
quelques mètre de carrelage et je suis dans la rue.  Tirant doucement
la porte derrière moi d'un geste assuré, j'efface ma traversée des
lieux.  Afin de marquer ce vécu du sceau de la spatialité, je me rends
attentive au seuil qui me sépare de l'autre réalité.  Ce dernier acte
se livre comme une sacralisation de ce qui m'a éprouvée.



Je prends deux ou trois clichés 'du dehors'.  La pénombre a l'épaisseur
du rêve.

[All photographs © 2009 Coralie Chappat.]

BEEF BURGUNDY MACQUEEN

This legendary recipe, long sought-after in culinary circles, passionately admired by icons of the silver screen, dismissed as a myth, decried as hype, is now revealed for public scrutiny.  Two days ago, scientific cooks convened in the ultra-moderne mardecortesbaja test kitchen to put it through its paces and to report on the results without fear or favor.

Finally, the truth can be told.  This is not the simplest recipe I have ever posted on this site.  It requires some hard work and some precise timing.  But here is the bottom line — if you follow Scott MacQueen's rule below, as I did, religiously, you will find you have concocted something miraculous.  It is to stew what Margaux is to vin ordinaire.  It is a testament to the fantastical delicacy and complexity of French culture, and makes for a meal both hearty and sublime, an experience both sensual and spiritual.  Scott writes:

You will need:
 
6 slice of bacon —
must be nice fat marbled bacon, nothing lean.  Oscar Mayer works well.

3 pounds stewing beef

Olive oil

4 cups burgundy or other dry red: I usually buy a minimum of 2 bottles of the same vintage for cooking, and if I have been tony that week and am flush I try to use a better wine so I can serve the same
with the meal.  This is not necessary, as a basic $8 bottle of burgundy or Cabernet Sauvignon from a reputable vintner works well when reduced by cooking

2 cups beef stock (commercial brands like Swansons A-OK)

2 tablespoons tomato paste (a pain and a waste if you open a small can and have no other use for the remaining paste; to be frugal you can do without, but I think it adds a bit to the body.  If you elect to do without it, add about 1/4 cup of ketchup to approximate the tomato flavor)

3 crushed garlic cloves (only use fresh)

1/2 teaspoon thyme

1 bay leaf

Salt

1 pounds mushrooms, browned in butter (I am a pig on mushrooms, and have been known to sometimes increase this by 50% to 100%)

2 large yellow onions (chopped & browned in butter)

Roux: 1/2 cup white flour browned in 1/2 cup melted salted butter



Be sure to wear a good apron that covers shirt to thighs as this can be messy. 
[Editor's Note: The risk-taking scientific chefs worked in casual clothes without protection.]
 
Peel and dice your onions and place aside in bowl.  Clean and slice your mushrooms and place aside in bowl.
 
Get a nice large stove-top stew pot.  Fill it with the wine, beef stock, thyme, bay leaf, garlic, tomato paste, salt to taste (I use a teaspoon but shouldn't — your mileage may vary, based on the blood pressure needs of you and those you love).  Put on low flame on the burner.
 
Fry the bacon gently until nice light golden brown, with all fatty parts crisped. 
Save the fat in the pan, put the bacon aside and either nibble on it as you cook (if you are a pig like me) or, thoughtfully, keep it aside to crumble later on a tossed green salad.

[Editor's note: The mardecortesbaja chefs nibbled on the bacon, eventually consuming it all.]


 

In a new pan, brown up the onions in butter until they are transparent and golden brown, keep on the side. Brown up the sliced mushrooms in same sauté pan.  Add the mushrooms to the onions, keeping all of the extruded water juice.  Place to the side.
 
Add about 3 tablespoons of the olive oil to the bacon fat, get it to a medium-high heat before slowly adding the beef to the pan.  If you add it too fast, the meat cools the hot fat and doesn't sear the face quickly.  Brown the meat quickly on all sides, raising the heat as needed but being careful not to burn it (the fat & olive oil have low smoking points).  Watch out for splatter; a splatter screen is helpful if you have one to reduce spitting as you will otherwise get hot spots on your forearms as well as a greasy stove top.  Add beef to the pot when browned.  I usually need 2 or 3 batches to complete all browning.
 
Use some of the red wine to de-glaze your pan with a wooden spoon and add the residue to the pot.
 
Cover the stew pot with a lid, leaving it just slightly ajar for minimum venting to prevent steam build-up.  Place the flame on low.  Let it cook for 3 hours.
 
This is a good time to make your roux.  You know how — melt butter, drizzle in flour slowly to the hot butter and stir with wooden spoon, letting it get a nice golden brown in color.  When all the flour is browned & integrated (no lumps), put aside in a bowl.


 
Within 30 minutes your house will take on the most intoxicating aroma which you might not notice immediately as it gathers — but someone walking in at this point will begin to salivate and make loud remarks about it. 
[Editor's Note: No visitors entered the mardecortesbaja test kitchen during the preparation of this dish, but the experts at work there became semi-intoxicated by the aroma.]
 
At the 3-hour mark, stir again and put the onions & mushrooms into the pot, stirring thoroughly.  The mix should now have a nice lumpy stew-like consistency, but still be viscous. If there is no fluid (i. e., if it has boiled away because you had your heat too high), carefully add 1/2 to 1 cup of water until the stew is free flowing (but you shouldn't have to do this.)
 
Let it cook for another half hour, then slowly add the roux, stirring with a wooden spoon to distribute it evenly.  It should have the consistency of a thick, viscous stew.


 
[Editor's Note: Above, the first roux ever made in the mardecortesbaja test kitchen, a stunning success, is added to the pot.]

I always serve this over egg noodles, with a tossed green salad (only a light vinaigrette, or preferably oil & vinegar dressing, so as not to fight the flavors), a good burgundy or Sauvignon
comme boisson, and — essential — fresh crusty French bread with whipped sweet butter.

[Editor's Note: The scientific chefs had secured the makings of a salad but were too excited about eating the main dish to bother with it.  They also forgot the bread but didn't care — the Beef Burgundy engaged all their senses with its subtle blend of flavors, each somehow distinct after all the simmering.]
 
If you find that you like this, it is a perfect dish to make in a double batch and freeze.  It reheats beautifully in minutes in a microwave (though I prefer to do it on the stove top) and makes for fragrant, elegant cooking on a time budget.


 
TIPS:
 

I actually like it better
day 2, when it has 24 hours to marinate after cooking.  It is more tender and aromatic.  Each time I reheat it for re-serving, I put a few shots of red wine into it to “freshen” the wine flavor.

[Editor's Note: What he said.]

REPORT FROM PARIS: LE PETIT BAR

The mardecortesbaja sentimental tour of Paris continues . . .

Last night, the indefatigable Coralie had a drink at Le Petit Bar at the Ritz, where Hemingway liked to drink when he was staying at that sublime hotel.  (When American troops entered Paris in 1944, Hemingway, a war correspondent, was in the vanguard and headed straight for the Ritz to liberate it — he then went to visit Picasso, to see if he was all right, and finding him out, left him a crate of grenades as a calling card.)

Coralie informs me that Le Petit Bar was originally the ladies' bar at the Ritz, when mixed drinking was frowned upon.  Today, it is restored to what it looked like in Hemingway's time, with the addition of photographs of Papa on the walls, one of which, with the big fish, can be partially seen in her photograph above.

Cheers!

REPORT FROM PARIS: LE GRAND VÉFOUR

My friend Coralie had lunch today at Le Grand Véfour, and sends the picture above to prove it.  Envy her!

The first “grand restaurant” in Paris, Le Grand Véfour opened in 1784 as the Café de Chartres.  Napoleon is said to have dined there.  In 1820 it was bought by Jean Véfour and renamed.  Between then and 1905, when it closed for 42 years, every famous French person you've ever heard of, like Victor Hugo, and many you haven't heard of, dined there.  It was reopened in 1948, and became a favorite hang-out of Colette, who lived nearby.

Its decor doesn't seem to have changed much since its Café de Chartres days — the food is more variable.  From time to time it will lose its third Michelin star, then regain it.  Each development in the ongoing drama is headline news in France.

Coralie describes the experience of dining there today as “'si raffiné'!  C'est un pur moment esthétique.

REPORT FROM PARIS: A MOVEABLE FEAST

Today, intrepid correspondent Coralie visited the Musée Grévin in Paris, a charming old 19th-Century establishment (founded in 1882) which features wax figures and other curiosities.  She snapped the picture above of a Hemingway figure before heading off to the Brasserie Lipp, on the Boulevard St. Germain, to commune with Papa's spirit by having a meal he famously enjoyed there once (or twice) — filets de hareng pommes de terre a l'huile, suivi du cervelas rémoulade avec une bière blonde Lipp . . . which is to say, herring and potatoes in oil, followed by a dish consisting of a kind of German sausage with a celery root and Dijon mustard concoction on the side, all washed down with a blonde Lipp beer.

Hemingway told two stories about having this meal at Lipp.  In one, he had just cashed the check for the first story he sold to an American magazine, and went off to celebrate by himself at Lipp.  In the other, Sylvia Beach, who ran the famous bookstore Shakespeare & Co., said he was looking too thin and slipped him some money for a decent lunch.  In both stories, he ate cervelas rémoulade at the venerable old brasserie.

It became, in any case, symbolic of his struggling years in Paris, about which he once wrote, “If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.”  Below, the first course of Hemingway's meal, as served to Coralie today:



I was not particularly young when I first went to Paris, nor struggling, but my memories of it follow me around all the same, and my friend Coralie has allowed me to inhabit them again vicariously but vividly, just as I once inhabited Hemingway's Paris vicariously and vividly by eating
cervelas rémoulade one afternoon by myself at the Brasserie Lipp.

REPORT FROM PARIS: LA COUPOLE

A couple of hours ago my friend Coralie was sitting having a coffee and a petite meringue at La Coupole in Montparnasse.  It's one of my favorite places in Paris, so she sent me a picture she took of it while she was there.

Opened in 1927, La Coupole has been restored more or less to its original splendor, when it was the largest brasserie in Paris and a hang-out between the world wars for artists, especially expatriate artists — everyone from Picasso to Hemingway.  Fans of the McNally brothers' brasseries in New York will recognize at places like La Coupole where they got the inspiration for their decor.

When I first went to La Coupole in the 1980s, the service could be brusque if your accent wasn't quite right, but once I had dinner there alone and all that changed.  French waiters have a tender regard for solitary diners, and treat them with an almost affectionate solicitude.  Dining alone can be socially awkward for some, and French waiters understand this, so they work hard to make the solitary diner feel as though he or she is the most important client in the room.  It is one of the many subtle graces that make French society so civilized, especially when food is involved.

DAYS OF PIZZA, AND WINE

Jack Kerouac’s favorite meal — at least back in the early Fifties, when he could rarely afford anything fancier — was pizza, salad and red wine.

Carolyn Cassady, Neal’s wife, seduced Jack for the first time by serving him this meal on a night when Neal was away.  Below, Carolyn with Jack and one of her children:

Eating an artist’s favorite food is a way of making contact with them across the barriers of time — a slice of banana cream pie, in the case of Elvis, for example, or some cervelas remoulade with a big glass of beer, in the case of Papa, who ate this meal at the Brasserie Lipp in Paris after cashing the check for the first story he sold to an American magazine.

I have been reading Kerouac and thinking about him a lot recently, prompted by the enthusiasm of my friend Paul Zahl (The Zahl File).  So last night, I ate his favorite meal, and communed with Jack’s restless spirit.


                                                                                                              [Photo by Allen Ginsberg]

The meal remained a touchstone for Kerouac as well.  When Neal Cassady (above with Timothy Leary on Ken Kesey’s bus) died, towards the end of Jack’s brief life, Jack called Carolyn to reminisce about the old days — “of serious work, railroad, bubble baths, pizza, and wine.”

THERE STANDS THE GLASS


                                                                                                              [Photo © 2009 Tristan Forward]

Tristan, over at the new emotional blackmailer's handbook, continues to post his lovely photographs of lovely things — and what could be lovelier than the pint glass above, sitting on a table in a cozy pub, filled with amber magic?

There stands the glass,
Fill it up to the brim
'til my troubles grow dim —
It's my first one today.

Cheers!

CEVICHE!!!!!!!!!!!!!!!!!!!

(With thanks to Maya for the extra exclamation points . . .)

Here's my personal recipe for ceviche, arrived at by combining a couple of rules I've run across:

The Marinade

1 cup of freshly-squeezed lime juice
2 cloves of roughly-chopped garlic (I actually use 4 or more cloves, but that's just me)
1 serrano chile, stemmed and roughly chopped (I use 2, for a very hot taste — if you want to wimp out, you can remove the seeds from the chile)
1/2 loosely-packed cup of coarsely-chopped cilantro
1 teaspoon of salt

Put all this in a blender and mix it up but good.

The Fish

1 to 1&1/4 lbs. of fresh fish, filleted and skinned and chopped up into small cubes.  An oily fish like mackerel is ideal but halibut or sea bass will do.  Indeed, just about any seafood will do — shrimp, scallops, octopus, squid, though you need to boil the latter two for 1/2 hour first, to tenderize them.

Put the fish cubes in a bowl with the marinade and let it “cook” in the refrigerator for four hours, stirring occasionally.  If you use “sushi-grade” fish, available at some markets, you can wait just long enough for the marinade to flavor the fish before eating it, essentially raw.  (This is how it's done in Peru, apparently, and it's very fashionable these days, but not to my taste.)

The Garnish

While the fish is marinating, chop 10 (or more) cherry tomatoes in half and thinly slice a couple of green onions.

When you're ready to eat the fish, pour off the marinade, but save it.  Toss the tomatoes and the onions in with the fish.  Add a bit more salt to taste.  If you're going to be eating the ceviche with taco chips (highly recommended) you won't need much more salt.  At this point you can also sprinkle a little freshly-chopped cilantro over the ceviche for color.

Eat the ceviche with some cold cervezas.  For leftovers the next day, if any, dress them lightly with the marinade you've saved.

This dish is incredibly easy to make and unbelievably good.  You can find ceviche just about anywhere along the shores of the Mar de Cortes, where it's almost always sublime — and now, you can have it right in your own home, wherever you are.

McSORLEY'S

And malt does more than Milton can
To justify God's ways to man.

                         — A. E. Housman

The great caricaturist Drew Friedman recently designed the label above for one of McSorley's house brews.  McSorley's, in downtown Manhattan, is the oldest continuously operating bar in New York, going strong, or at least going, since before the Civil War.  It has a special place in my heart, for it was there I began my lifelong love affair with beer.

In 1968, I spent the summer of my 18th year in the East Village, NYC, in an apartment near McSorley's.  The bar had not at that time been adopted by NYU frat boys, and was a dive, little changed from the 19th Century.  Old, grizzled men, many of them retired merchant seamen, hung out there in the afternoons drinking the fine house ales and filling up on the cheap sandwiches sold at the bar.  The drinking age was 18 back in those days, and my friends and I hung out there in the afternoons, too.  It was a grubby but magical place.  It looked exactly the way it looks in the 1912 painting below by John Sloan:

Women were not allowed in McSorley's then — a 19th-Century policy that would soon be challenged by feminist activists.  The first of them who walked in and demanded to be served got a pitcher of beer emptied over her head.  The courts eventually ruled that McSorley's could not legally bar women.  This opened the way to its current status as a hipsters's joint.  It still looks the same as it always did but cannot be visited by sane people at most hours of the day and certainly not after dark.

I'm glad that women are served there now, of course, and its popularity will insure its survival for another century or so, but the hiraeth comes upon me when I think of it as it was once — the hiraeth, a Welsh word that means “the longing for what has been”.

The quote above (thanks, Django) is from a poem by Housman called “Terence, This Is Stupid Stuff”, which also contains the following lovely lines:


Oh I have been to Ludlow fair


And left my necktie God knows where,


And carried half way home, or near,


Pints and quarts of Ludlow beer:


Then the world seemed none so bad,


And I myself a sterling lad;


And down in lovely muck I've lain,


Happy till I woke again.

MUCHAS GRACIAS, CON CHORIZO

Once more, against all odds, my friend Jae and I managed to prepare a splendid Thanksgiving feast, applying minimal cooking skills with fiendish precision.

Jae made his famous creamy mashed potatoes, we roasted a gigantic turkey to perfection and we stuffed it with an improvised dressing consisting of croutons, celery, carrots, onions, three kinds of mushrooms (Portobello, shitake and oyster) and chorizo, the spicy Mexican sausage.  An instant classic.  Next year, I'm going to add even more chorizo — it lent a bacon-y tang to the stuffing that was really spectacular.

Now the long days of turkey sandwiches begin — and however many sandwiches are consumed during those days, I'll be sorry to see them come to an end.

LAMB CURRY

My
curry is improvised from an old
Joy of Cooking rule for stew and
various hints thrown out by my brother-in-law Simon, who makes a fine
curry, refined during his years in Kenya. (His goat curry, served at a
picnic by a river on the edge of the Nairobi Game Park, was my first
meal in East Africa, sometime in the last century.)



The
only real secret to simple, reliable curry, however, is Patak's Curry
Paste, available at many local supermarkets, worth tracking down at a
specialty store if not.  (It can be had via Amazon as well.)  You need a jar of mild and a jar of hot, so you
can mix to taste.



Start
with some vegetable stock. This used to be collected from the run-off
of boiled vegetables of every kind, but since we now steam our
vegetables, the liquor from soaked and boiled dried beans is a good
substitute, especially for curry. Pour enough of it into a stew pot to
comfortably cover the meat and vegetables you will be adding — lean
chunks of lamb, or goat (I like to use chunks cut off of thick lamb
chops, with all the fat removed, but there are cheaper ways to go), an
equal volume of pearl onions, an equal volume of carrots cut into
pieces about the size of pearl onions, an equal volume of potatoes, cut
into chunks of a similar size, and three or four tablespoons of peeled
and chopped ginger root.



Begin
to warm the vegetable stock and stir in table-spoonfuls of curry paste.
I like a 2 to 1 hot to mild ratio, for a very — very — spicy but not
searing flavor, but do it to taste. About six table-spoonfuls at least
will be required. You can tell by tasting when you've got enough.



Bring
this mixture to a boil, then throw in the ginger and the carrots, cover
tightly and reduce heat to produce a steady but not furious bubbling.
After ten minutes, put in the lamb. After another ten minutes, put in
the onions and the potatoes. After another twenty minutes, cut off the
heat, let the pot cool, and then put it in the refrigerator overnight.
(This must be made the day before it is eaten.)



This
is a dish to fiddle with — placing the lamb in later if you like it
rarer, the carrots in later if you like them crisper, the onions and
potatoes in earlier if you like them mushier, more or less ginger and
curry paste.



The
next day, put what you want to eat into a smaller pot (you can freeze
what's left, if any) and heat it up, thickening it with some dollops of
sour cream if you like. Serve it over basmati rice, and no other kind,
with, on the side, some mango chutney and raita — plain yoghurt and
peeled, thinly sliced cucumbers, chilled — and some kind of plain
bread (real Indian bread, like poori, is best but too hard to make.)
Drink beer with it.

ROASTED GARLIC DRESSING WITH GREEN CHILE

I've shared with you a recipe for creamy queso añejo dressing from Rick Bayless's superb book Mexican Everyday.  I've been testing other salad dressings from the book, without any great finds — until I stumbled upon this one . . . roasted garlic dressing with green chile.  It's incredibly tasty, incredibly easy — and hot.  Not for the faint of heart.

Roast one fresh jalapeño pepper and four to six unpeeled garlic cloves in a skillet over medium heat — until they're slightly soft with dark brown blotches.  This should take about ten minutes for the chile and fifteen for the garlic.  Remove them from the pan and let them cool.  Stem (but don't seed) the chile and chop it up coarsely.  Peel the garlic cloves.  Put them all into a blender with three-quarters of a cup of olive oil and one-quarter of a cup of balsamic vinegar.  Add a bit less than a teaspoon of salt and blend thoroughly.  Add more salt to taste, if necessary.  Refrigerate until needed.

This will give you a wondrously spicy dressing for salads — it will make even iceberg lettuce seem exotic.  (You can use two seranno chiles instead of the one jalapeño if you want to totally wimp out.)

BUT WAIT — THERE'S MORE!

Bayless suggests a variation on the above recipe, which makes an even more stupendous dressing.  Substitute two canned chipotle chiles in adobo sauce for the jalapeño.  No need to roast the chipotles, of course.  Add a teaspoon or two of Mexican oregano — easily found in most supermarkets but you have to check the label . . . Mexican oregano is made from a different plant than regular oregano.  The chipotle variant has a sweetish, smoky flavor which is irresistible.

These two dressings, between them, along with the creamy queso añejo dressing, will turn you into a salad-eating fool, even if the very word “salad” makes you gag.

Bayless, by the way, is well-known in food circles for his encyclopedic knowledge of Mexican cuisine and his imaginative takes thereon, and familiar to TV viewers from his cooking show on PBS.  He's gained an added measure of fame recently because his restaurant in Chicago, Topolobampo, is a favorite spot of Barack and Michelle Obama, when they're dining à deux.  One more reason to admire the good judgment of America's new first couple.

BEER

Benjamin
Franklin said, “Beer is proof that God loves us and wants us to be
happy.”  You probably know this already, and may know the famous
advertising line for Guinness Stout — “Guinness Is Good For
You.”  In fact it is — incredibly good for you.  A moderate
daily intake of beer has long been known to reduce stress and the risk
of heart attack but there are ingredients in beer that work many other
wonders besides lowering cholesterol, including reducing the risk of
cancer and cognitive decline (drink beer, stay smart forever!) and fighting off viruses.  Beer also increases the
metabolism of protein, which is useful if the consumption of beer
causes you to neglect regular meals.  (Hey, it can happen.)

And you thought your love of beer was based purely on moral
depravity.  Not so, my friend!  Far from it!  A beer belly is the unmistakable sign of
a lifelong commitment to personal health.

Some anthropologists believe that grain was first cultivated by the human race not as a food source but
for fermentation into beer — bread was a happy by-product of the
activity.  (The figures above are ancient Egyptians making beer.)  This would mean that the entire advance of human
civilization, which was founded on the cultivation of grain, proceeds
from the desire to toss back some suds.  The next time you're
enjoying a Bach Cantata or a play by Shakespeare or the sculptures of
the Parthenon, raise a glass to the good old boys and girls of 10,000 B. C., who got the party going . . .

. . . and cheers!

NO LIMIT

My friend John Sosnovsky was just in town and brought as a gift a copy of Just Enough Liebling,
a collection of A. J. Liebling's writing about food, boxing and
war.  In one of the articles about food Liebling offers an
extended paean to Tavel, the rosé wine from the
Rhône region of France.  It brought back many
memories.  Tavel is a wine often served in the South Of France
with seafood (although Liebling insists it's so good it can go with
anything) and I've drunk it with many fine meals in that part of the world,
usually in restaurants or on the terraces of restaurants with a view of
the sea.

On John's last night in Vegas I tracked him down in the card room at
Caesars around 9pm.  He'd been playing poker all day, with mixed
results, and said he was pokered out, so we decided to meet at Mon Ami
Gabi, a terrific French bistro in the Paris, Las Vegas casino. 
Once installed on its very pleasant terrace I discovered that they had
a Tavel on their wine list, and John and I decided to drink a bottle in
honor of Mr. Liebling.  And we decided to drink it with steak, to
test Mr. Liebling's assertion that it can go with anything.

It went exceptionally well with the steak, with the brisk night air and
with our conversation, which kept circling back to the upcoming fight
between Ricky Hatton and Floyd Mayweather, Jr. next Saturday in Las Vegas.  John
is a member of the Fancy and very knowledgeable about boxing, but even
he seemed baffled by the question of who was likely to prevail in this
contest — Hatton, the brawler with heart, or Mayweather, the scientist
with lightning-fast but hardly lethal hands and canny instincts for
defense (or unseemly evasion, as some consider it.)

The best we could surmise was that Hatton had a chance only if he got
inside and ripped Mayweather apart with body shots, shocking him and
breaking his will.  That didn't seem likely, but it seemed
possible.  Such imponderables are what have made this fight one of
the most anticipated in ages.  Mr. Liebling, long since deceased,
would have had much to say on the subject and we missed his wisdom
keenly.

After the Tavel and the beef, John decided that perhaps he wasn't
pokered out after all.  We set off to see what tables might be
going in the Paris' card room.

The night before, at the Palms, John had cajoled me into
sitting down at my first no-limit Hold-'em game in a casino.  (I'd
played a few hands at a no-limit game in the old card room at the
Rancho Fiesta, but it had broken up almost as soon as I arrived at the table.)  I
was terrified of playing at the Palms — not least because Phil Helmuth
(below, playing in a tournament) and Layne Flack, two high-profile
high-limit poker pros, were hanging
around my table to watch a couple of their friends play.  It's
tough to make your debut at a no-limit table under the eyes of a winner
of the Main Event at the World Series Of Poker.  (Helmuth won it in 1989 at the age
of 24, the youngest player who's ever done so.)

No limit Hold-'em is intrinsically terrifying.  Any amount of
money can be bet on a hand at any time, which means you can lose every
chip in front of you if you call an “all-in” bet with the
wrong cards in the wrong situation.  On the other hand, you can
use big bets to push your fellow players around — to make them fold
better cards than you have, for example.  It's a wild and
exceedingly complex endeavor.

Miraculously, as soon as I sat down at the table I felt cool and
perfectly in command of things.  I've played endless hands of
no-limit poker for fake money online and I understand the dynamics of
the game — far better than I've ever understood the dynamics of limit
Hold-'em, where you can bet only certain fixed amounts.   I've
always played limit Hold-em because it seemed on the face of it less
risky. 
No-limit Hold-'em for money, however, is a far more logical game,
far less dependent on the random fall of the cards, though the logic is
sometimes the logic of ruthlessness and terror.

I played for three or four hours in this heady atmosphere and walked
away about a hundred dollars
down.  Not good — but not
devastating, either.  You can pay more for a good meal or a rock
concert and not enjoy either half as much or for half as long.

There were no poker pros hanging around the Paris' card room (above) — just a
lot of genial players who seemed like people on vacation
looking for a good time . . . and to say they'd played poker in Las
Vegas.  They weren't bad players but they played too many hands,
eager for action.  I waited for my chances, bet hard when they
came and walked away three hundred and thirty dollars ahead —
by far the most money I've ever won at any poker table.  More importantly, it left me over two hundred dollars ahead for my first two nights of no-limit poker. 

John did even better, walking away over seven hundred dollars ahead — covering the cost of all his poker playing in Las Vegas and his hotel room and
his flight here, with a little left over for celebratory drinks
afterwards.  To say that we raised our glasses joyfully would be
putting it
mildly.

[The snapshot of the Paris poker room above is from a useful web site, vegasrex,
which describes and reviews the various card rooms in Las Vegas and has a lot of other stuff about what's going on in town.]