MORE TEXAS IRONY

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When Rick Perry tried to encourage (or, according to the indictment against him, coerce) Rosemary Lehmberg, the DA of Travis County, to resign, he argued plausibly that her drinking problems, which landed her in jail, had eroded trust among Texans generally in the Public Integrity Unit she headed.  So he threatened to veto funding for that office unless she resigned, and carried through on that threat when she didn’t.

Perry was probably right about the erosion of trust in Lehmberg, but who knows for sure?  I doubt if Perry conducted any scientific polling on the issue, and Texas history is full of politicians who couldn’t hold their liquor yet served without controversy in their posts.

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Lehmberg’s problems with alcohol and with the law would certainly have distracted her from her duties, for a while, but as far as I know Perry never offered any concrete evidence that Lehmberg’s office wasn’t performing its statutory functions in a competent way.  It was all based on Perry’s notion, reasonable though it may have been, that there was a public perception of incompetence.

Perry’s own legal problems will certainly distract him from his duties as governor, for a while — probably far longer than Lehmberg’s DUI conviction and jail term distracted her — but Perry clearly has no intention of stepping aside as acting governor until his legal problems are resolved.

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And if someone argued that being indicted for two felonies created a perception of incompetence on the governor’s part, requiring his resignation, he would hardly be moved to do so.  And finally, if the Texas legislature voted to de-fund any of the various agencies Perry controls, in an attempt to coerce him into resigning, he would be well within his rights to take the legislators to court.

Texas has a law against attempting any such coercion of a public servant.

SIMPLY GRAND

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Although my sister Libba had no need to photograph The Grand Canyon for her documentary, and I had no reason to go there for my own research, I felt it imperative that she see the place, especially since we were so near to it.

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So we drove north again from Flagstaff and checked it out.  Looking into the canyon is like looking up at the night stars — awesome but impossible to process rationally.  In Kant’s formulation, it is sublime, beyond comprehension, rather than beautiful, a phenomenon with a quality of aesthetic unity.

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The sublime is always somewhat forbidding, somewhat terrifying.  It reminds us that the mind of God passeth all human understanding.

[Photographs © 2014 Libba Marrian]

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MORE ON THE PERRY INDICTMENT

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Rosemary Lehmberg, the District Attorney of Travis County, Texas, does not serve at the pleasure of Texas Governor Rick Perry — she serves at the pleasure of the voters of Travis County.  The law Perry has been accused of violating, by trying to coerce Lehmberg into resigning, was designed to keep such lines of demarcation clear.

It’s actually a pretty good law, and totally in line with Texas ideas about government.  It promotes the decentralization of power by prohibiting powerful officials from bullying less powerful officials, setting a strict limit on the power any particular official can exercise.

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Perry’s indictment thus contains a profound irony.  Texas libertarians and conservatives are being hoist by their own petard, with one of their own tripped up by a law designed to enforce their own beliefs about limiting the power of government officials.

The debate seems to be centered on whether or not Perry was right to want Lehmberg to resign, and a good case can be made that she should have, but that’s not the legal issue in play — it’s whether or not Perry tried to coerce Lehmberg into resigning, in violation of Texas law.

Big difference.

LONE STAR

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I have a certain amount of affection for Rick Perry.  His lackadaisical style and common sense approach to governance have served his state well for a long time.  The economic success of Texas through bad times for the economy in general has benefited not just the fat cats but all Texans across the economic spectrum.  Now, however, his common sense has run afoul of the laws of Texas, which have always sought to limit the power of elected officials — a limitation that Perry endorses as a core principle.

The District Attorney of Travis County, a Democratic enclave in a Republican state, is charged with investigating the ethics of the lawmakers who work in Austin, the seat of Travis County as well as the state capital.  This creates a natural tension between a Democratic DA in Travis and a Republican state administration.

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The current DA, Rosemary Lehmberg (above), had some personal problems recently — she was arrested for driving around stinking drunk and didn’t behave well in police custody.  Many people, across the political spectrum, thought she should resign, but she didn’t — she served her jail time, went into rehab and carried on.

Perry decided to try to force her out of office.  He argued that this was a simple matter of good governance, though of course her resignation would also allow him to appoint her successor, a Republican less inclined to tangle with his administration.

What Perry did was veto the funding for the Public Integrity Unit Lehmberg headed — on the face of it a reasonable measure, since it could be argued that Lehmberg’s office had lost the confidence of the public and shouldn’t be entrusted with public funds.

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What Perry didn’t take into account was a Texas law making it a felony for a governor to use his power to coerce another public servant.  His veto was clearly an effort to coerce Lehmberg into resigning.  Her resignation might very well be a good thing for the state of Texas, and would certainly be a good thing for Perry, but Perry was legally prohibited from trying to coerce it.

Hence a real Texas mess.  Most Texans would not be inclined to criticize Perry for wanting Lehmberg to resign, calling for her to resign — but there was that law forbidding him from trying to coerce her into resigning, which it seems he did.

Texans want severe limits on the power of elected officials, but they tend to look the other way when they exceed their power for the good of the state.  Those two impulses have now come into conflict in a most ironic and spectacular way.  It’s all very . . . Texan.

SHORT TAKE: EXPERIMENT IN TERROR

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A fairly enjoyable thriller with no particular depth or complexity, stylishly shot in black-and-white by Philip Lathrop and stylishly directed by Blake Edwards.

The real pleasures of the film are its stars, the ever vexing Lee Remick and the ever reliable Glenn Ford, and a super-cool score by Henry Mancini.

It was recently released in an excellent Blu-ray edition by Twilight Time, with the memorable score available on an isolated track.

RAND PAUL

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In the wake of the ghastly events in Ferguson, Missouri, Rand Paul, almost alone among politicians of national prominence, called for the demilitarization of the police.  It was a more courageous response than we got from Barack Obama, who called for calm, or Hillary Clinton, who said nothing.

Instantly liberal pundits started trying to discount Rand’s statements, reminding us that he once had doubts, on ideological libertarian grounds, about provisions of the 1964 Civil Rights Act, and calling his current position opportunistic.  In fact, Rand has been speaking out about the disproportionate persecution of blacks by the police for months.

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Liberal pundits are deeply threatened by acts of political courage by conservatives, probably because they know how appealing they are to the public at large in this age of liberal pusillanimity and downright cowardice.  In the latest poll about possible match-ups in the 2016 Presidential race, Hillary now leads Rand by only 6 points.  Not long ago she led him by 12 points.

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That trend will continue.  Hillary is playing not to lose — a losing strategy, as any poker player will tell you.  Rand is putting his chips in play.  He’s driving the game — Hillary is just trying to run out the clock and stay in it.  She’s the fish at the table.

Rand is not doing as well against his Republican rivals for the nomination, but the debates could change that.  In debates between the principled Paul and the mealymouthed Clinton, it would be no contest.

LAUREN BACALL

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This was the cover of Harper’s that drew Howard Hawks’s attention to model Lauren Bacall and got him to test her for the lead in To Have and Have Not.

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THUGS

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When I was 17, working a summer job at the track in Saratoga Springs, New York, some co-workers and I managed one night to illegally purchase a case of beer.  We took it out back of the local high school, into a dark area where we thought we’d be hidden, and started drinking.

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A police cruiser, on a routine patrol or perhaps alerted by people living near the school, pulled up into the parking lot by the side of the school and spotted us.  We ran, climbing an 8-foot chain-link fence behind the school.

When I got to the top of the fence I heard the police firing shots into the air and commanding us to stop.  I didn’t stop — I vaulted the rest of the way over the fence and ran though a succession of backyards until I’d put the school far behind me, eventually making my way to where I was living without further incident.

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I was breaking the law in several ways that night — I’d helped buy beer while under age, I was consuming it in a semi-public place while under age, and I was trespassing on city property.  If this had all happened in a black section of town, if I had been a young black male, I wonder if the police might have felt empowered to shoot at me instead of into the air as I was failing to abide by a lawful police order.

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Michael Brown had apparently broken the law in several ways on the day he was shot in Ferguson, Missouri — swiping some cigars from a convenience store, walking down the middle of a street, perhaps failing to abide by the lawful order of a police officer.

You could say he was acting like a thug on that day, just as you could say I was acting like a thug that night in Saratoga Springs — except that no one would have said it of me.  Because I was white, I was just a teenager doing something stupid and irresponsible.  It never occurred to me that I might get shot for running away from the police, for acquiring and consuming beer illegally.

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It was a youthful indiscretion, which probably amused the police more than it outraged them — a youthful indiscretion that I was proud, at the age of 17, to have gotten away with.  I knew it was wrong, but at 17 I didn’t care.

Michael Brown paid for his youthful indiscretion with his life — because he was seen and treated as a thug . . . and it’s hard to doubt that he was seen and treated that way primarily because he was black.

HEADING NORTH

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After our visit to Fort Verde we drove north to the head of Oak Creek Canyon so Libba could take some video footage there.  The light was a little flat for her purposes but she got some good stuff anyway.  The first Hollywood film shot in the Sedona area, in 1923, featured Oak Creek Canyon as its main location.  The film, The Call Of the Canyon, based on a Zane Grey novel, was directed by Victor Fleming.  Long thought lost, a print of it was discovered in Russian archives in 2010.

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We continued north from there to the Hopi Reservation.  Hopi art was an inspiration to the artist Libba is making her documentary about.  The main settlement on the reservation is set amidst a vast empty landscape, hours away from any other town, and is a depressing place, like many Indian reservations.  We were not inclined to linger long there.

We drove west looking for a place to stay the night but had a hard time finding one.  At Tuba City, in the Navajo Indian Reservation that surrounds the Hopi lands, the most likely spot, all the motels were filled.

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We had to drive to the outskirts of Flagstaff to find a Travelodge with a couple of free rooms.  It made for a long day but at the end of it we were treated to the sunset above by way of compensation.

[Photographs © 2014 Libba Marrian]

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FROZEN

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This computer-animated feature from Disney is generally charming and occasionally funny.  I watched it in 3D at home on Starz and found it to be engaging visually but not inspired, without the invention and zest of Spielberg’s computer-animated 3D feature Tintin, for example.  I found the songs relentlessly mediocre if serviceable, and have no idea why one of them, “Let It Go”, became a huge hit.

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I’m not sure, either, why Frozen itself became such a huge hit, but suspect it’s because the film deals with female empowerment in a genial and amusing way, and because its main protagonist, Princess Anna, is such an appealing character, well-written (by Jennifer Lee) and well-voiced (by Kristin Bell).  Her quirky spirit keeps the film aloft though its more predictable twists and turns.

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Frozen also has an unusually strong relationship between two sisters at its core, which gives it a certain thematic freshness.

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The young female audience is poorly served by Hollywood these days and will strongly support competent fare aimed at it.  It’s interesting that Frozen, like Titanic, another film whose success was driven in great part by female teens, increased its gross each week in the first three weeks of its release, a very unusual pattern.  When young females get word of a film they can relate to the buzz among them spreads fast and they will revisit the film repeatedly.

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Young females are certainly as strong a market for films as young males, and probably a more reliable one, but the male dorks who run Hollywood would generally still rather make films for young males than for young females.  Only personal pathologies can account for this.

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