BOOK NEWS

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The paperback edition of my book Fourteen Western Stories is not selling very well, so I’ve raised the price to $10.99, because I’d rather have it not sell at a relatively high price than not sell at a bargain price.  Amazon, however, is discounting the new price by 20%, to $8.79, which is only $1.80 more than the old price.  And so it goes.

The Kindle edition of the book continues to sell well at $2.99. You can read it on a Kindle, of course, but also on Amazon’s free Kindle reading apps, which work on almost all computers and portable devices.

Check it out.

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A WESTERN STORY

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A young cowboy on the run and a young woman terribly wronged, bent on a mission of revenge, find that they need each other for something more than vengeance — one of the tales in Fourteen Western Stories, available on Amazon for the Kindle and for free Kindle reading apps, which work on almost all computers and portable devices.  Free to borrow for Kindle owners enrolled in Amazon Prime.

Also available in a thrilling paperback edition:

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A WESTERN STORY

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A14 year-old girl offers to lead a detail of troopers to the hide-out of a terrifying Apache war chief, but only if she’s given full command of the expedition — one of the tales in Fourteen Western Stories, available on Amazon for the Kindle and for free Kindle reading apps, which work on almost all computers and portable devices.  Free to borrow for Kindle owners enrolled in Amazon Prime.

Also available in an elegant paperback edition:

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Click on the images to enlarge.

A WESTERN STORY

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A drummer, selling books on the fringes of civilization, stumbles upon a cabin in a fierce snowstorm, occupied by a lone woman with insatiable appetites — one of the tales in Fourteen Western Stories, available on Amazon for the Kindle and for free Kindle reading apps, which work on almost all computers and portable devices.  Free to borrow for Kindle owners enrolled in Amazon Prime.

Also available in a toasty-warm paperback edition:

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Click on the images to enlarge.

A GREAT NEW REVIEW

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Very Enjoyable Reading

Who says the short story is dead? I gave this collection of fourteen stories a try, although I hadn’t read any “western” fiction since Lonesome Dove. Mr. Fonvielle does the genre proud with realism, stark situations and conflict, and endings that often are not what you’d expect. His characters often speak in crisp Victorian language that reminded me of several John Wayne movies. In fact, I think the dialogue is my favorite part of the collection. But don’t misunderstand: he depicts frontier living with its lawlessness, whores, brutality, saloons, scalpings, and the rest, so it’s not for the fainthearted. The stories vary in length from just 2-3 pages up to 20-30. I was disappointed when I got to the end. Give it a look.

An Amazon customer review which you can see here.

DJANGO UNCHAINED

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Probably the best thing you can say about Django Unchained is that it’s almost impossible to say anything about it at all. It’s an utterly incoherent work of art, aesthetically, conceptually, emotionally.

What’s odd about it is that it has a kind of cellular structure — it’s component parts work on their own terms while you’re experiencing them. One cell sparks interesting intellectual thoughts about the place of slavery in American history. Another cell arouses the sort of emotions we associate with intense and unapologetic melodrama. Yet another cell connects us with the exhilaration of a brilliant goof on generic clichés.

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The only thing I can think of to compare it with is a Joseph Cornell box, whose juxtaposition of discrete, disjointed sections somehow adds up to an aesthetic whole.

Is it important?  Is it profound?  Is it ultimately satisfying or meaningful?  I really don’t know.  All I can say is that it’s fascinating, that it’s of its time, that it took a lot of courage and eccentric genius to create.  Compared to the sort of rote junk Hollywood is programmed to turn out these days, it’s a miraculous anomaly.

TABLETOP

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. . . Gueune Hall, Gruene, Texas — the oldest dance hall in The Lone Star State.

A lot of beer sloshed onto this table, a lot of moments memorialized with a knife blade over the years.

[Photo by Hilmar Blumberg]

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FRONTIER FOOD

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Lately I’ve been reading, with great delight and admiration, Frederick Law Olmsted’s A Journey Through Texas, which records a journey he and his brother took through The Lone Star State in 1857.

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Olmsted is best known today as the co-designer, with Calvert Vaux, of Central Park in New York City, but he was fine writer, who took several journeys through the slave states before The Civil War in order to report on conditions there to the rest of the country.  Olmsted disliked slavery and found its effects on white Southern society pernicious, but he was not a zealot on the subject, content to report coolly on what he saw, both good and bad.

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His book about his journey through Texas is one of the great works on the frontier West, filled with clear, richly detailed descriptions of the landscape and the people, including transcribed snippets of conversations engaged in or overheard along the way, and fascinating observations on modes of travel, habitations and foodstuffs. The brothers traveled mostly by horse, and slept under canvas whenever possible.

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One interesting fact Olmsted reports is that from western Louisiana throughout most of Texas the travelers could rarely find any food anywhere except cornbread and fried pork, usually served with coffee. This was served at all meals, in the humblest cabin they sought refuge in from time to time and in the dining room of the best hotel in the state capital of Austin (which was something of a hovel.)

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Fresh butter was almost unheard of, as was wheat bread, and even wheat flour could rarely be had at any price. Most of the time they could vary the standard fare of “pone and fry” only by shooting their own game along the trails.

Inspired by this bit of information, I have decided to try and live on cornbread and bacon for a week or so, to see what it would be like.  I decided as well to make my own cornbread, in an iron skillet, as it was usually made on the frontier.  Here’s the first batch, based on a recipe in The Joy Of Cooking, which came out exceptionally well:

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There would have been endless variations on cornbread eaten on the frontier — it was a universal food among whites, Latinos and Indians.  I plan to try several variations myself — including a classic “corn pone” recipe which, unlike the Joy Of Cooking rule, uses only corn meal, no flour, no baking powder and no sugar.  (A pone, as Olmsted used the word, was just a round of cornbread made in a skillet.  Today, “corn pone” describes the specific type of cornbread made without baking soda, and goes by many other names, like johnny cake.)

The prospect of a diet of cornbread and bacon for a week or so is not entirely unpleasant to me — and I expect it will take me back to the American frontier in a way no other research can.

I’ll be providing cornbread and corn pone recipes in later posts.

WESTERN, AS WILD AS IT GETS

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A new Amazon customer review of Fourteen Western Stories:

This is truly a western read. It is just as wild as the west goes on paper. I especially loved the first story. WOW. What an aim straight for the heart. Worth the purchase.

Available on Amazon for the Kindle and for free Kindle reading apps, which work on almost all computers and portable devices.  Free to borrow for Kindle owners enrolled in Amazon Prime.

Also available in a paperback edition!

ARIAS

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Western movies used to be referred to, usually dismissively, as horse operas. It’s not a bad term for them. Like classical operas, they might have silly plots or bad acting, but these things might be redeemed by beautiful music, or at least a few memorable arias.

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Horse operas had their arias, too — passages showing superb horsemen riding superb mounts through handsome scenery, or in rousing action sequences. The quality of the horses and the horsemanship in Hollywood movies was almost always of the very highest order, even in the crappiest B-Westerns, so if you love watching images of fine horses ridden by fine horsemen, there is almost always great pleasure to be had from any kind of Western.

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If you’re “tone deaf” to these visual “arias” in Westerns, to the kinetic melody of the movement of men and horses through space, you may find the appeal of Westerns baffling, just as a musically tone-deaf patron will find the appeal of many operas baffling.

This is your problem, not the problem of the operatic works before you.