Pyramid Lake, Nevada, 1867.
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I won’t say that every shot in John Ford’s Rio Grande is brilliantly lit, composed and choreographed, an example of cinematic craft at its highest pitch of elegance and beauty. Perhaps five percent of the shots in the film don’t fit that description. On the other hand, neither Citizen Kane nor Vertigo achieves that level of perfection from shot to shot, and very few films exceed it, Seven Samurai, Chimes At Midnight and The Conformist being among the few that come readily to mind.
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John Ford’s Rio Grande is one of the greatest of all Westerns, one of the greatest of all American movies. The new Blu-ray edition of it from Olive Films belongs in every home.
For some thoughts on the film, so simple on its surface, so complex underneath its surface, click here.
Lifting a glass with an Old Fashioned in it to celebrate finishing the last story in a cycle of Western short stories, fourteen of them, running to just over 50,000 words — enough for a respectable collection. These are rip-roaring tales with plenty of adventure and sex and a parade of powerful female characters of the sort you don’t often find in Western yarns.
It will be a month or two before these stories are published, but tonight is a milestone for the author and worth a toast to the writing life, raised under the brim of a straw Resistol.
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A while back I ran a section of the above photo as a banner on the site, and identified it as one of Ben Johnson competing in a rodeo before he entered movies. In fact, it’s a picture of Ben’s father, a noted rodeo champion in his day. Thanks to Paula Vitaris, expert on all things Ben Johnson, for this info, who also notes that Ben, Jr. didn’t start entering rodeos until after he’d worked in the movies and had money for the entrance fees. She further notes that he remains (and I’m sure will always remain) the only man to win both a rodeo world championship and an Oscar.
You can find Paula’s excellent Ben Johnson site here.
I’ve unpublished this story on Amazon for the Kindle, because I decided to include it in a new collection, Twelve Western Stories, which I’ll be publishing in a month or two.
The story concerns a hapless bounty hunter who partners up with an orphan girl on a grand but brief adventure. It may remind you a bit of True Grit, but it goes somewhere else.
This was the first thing I ever e-published, and led directly to the new collection of stories. My Facebook friend Polly Frost, whose own books and e-books can be had at this link, made me do it — or at least persuaded me that I had no excuse not to do it.
My neo-noir pulp thriller Bloodbath is still available for the Kindle on Amazon.
There is much that is tragic in the story of Native America’s conflict with the European interlopers, particularly in the treatment of the Indians of the temperate forest lands east of the Missisippi by the young republic; the displacement of the Five Civilized Tribes to an utterly alien environment reeks of racialism. Yet the pretensions of the Plains Indians to exclusive rights over the heartland of the continent cannot, it seems to me, stand.
Their claim, the claim of less than a million people, to possess territories capable of supporting not only millions more directly settled, but of still more millions outside America waiting to be fed by those territories’ products, is the claim not of oppressed primitives but of the selfish rich. Here were not shy, self-effacing marginalists . . . but proud warrior nomads, who had taken from the Europeans what they coveted as a means to support their way of life, the horse and the gun, and then refused Europeans any share of the lands which horse and gun equipped them the better to exploit.
Little wonder that the European immigrants who made their way onto the Great Plains in the 19th century, Slavs of Eastern Europe, Russians from the Steppe, peoples whose history was suffused with memories of oppression by galloping, sword-wielding, slave-taking Hun, Mongol and Turkish nomads, should have felt so little pity for those other Mongoloid nomads whose interest in life seemed to subsist in hunting, pillaging, and war. If the Indians’ fate was to meet head-on in battle people as tough as themselves, veterans of a civil war in which brother had fought brother, Virginians had slain New Yorkers, Ohioans had burnt out Georgians, so be it.
There may be a poignant last hurrah about the Little Bighorn. I do not echo it.
— John Keegan, Fields Of Battle
They’ve never seen Spring hit the Great Divide . . .
If wishes were fast trains to Texas, oh, I’d ride and I’d ride — how I’d ride . . .